“The screenplay essay “Requisites of Interdependence in Film” sheds light on the topic of anti-ableist forms of relationships within the film industry.
Using objects brought along by the protagonists, the multi-layered dimensions of interdependence on set and in everyday life become visible.
In the end, our gaze is directed at the gaze itself — at what it means to be looked at and how resistance lies in the refusal to be fully recognized. An examination of gazes, intimacy and the strength that lies in blurring.”

The design of the book is based on the content of the essay and thus takes the form of a screenplay, both in terms of binding and typography. The additional fold-out pages make it possible to dive deeper into the photographies and break with the classic screenplay typesetting.